Hundertwasser

Hundertwasser's activities in printmaking had an unorthodox beginning, as his first printed art works were not created using one of the typical techniques such as silk screen, etching, woodcut or lithography but using a technique completely unusual for print making.

“Alfred Schmeller (Vice-President of the Art-Club, 1951/52 - editor's note) wanted to produce cheap graphic portfolios that anybody could afford. The painters Josef Mikl and Johann Fruhmann and I think Kurt Moldovan, too, also agreed to it”, Hundertwasser noted in his catalogue raisonné.

Rotaprint had been conceived simply as an office copier process for monochrome printing. Walter Koschatzky, author of the first annotated catalog raisonné for Hundertwasser graphic works, assessed that the Art-Club prints were significant for the artist’s later work in printmaking, since Hundertwasser looked for an expansion of the technical possibilities by processing two and also three foils in order to have several colors printed. According to Koschatzky, it can be seen from the beginning that Hundertwasser strived for strong visual effects and new expressive possibilities for his original graphic art works.

The Rotaprint portfolio was not successful, the demand was modest and for a long time Hundertwasser thought that printmaking was not for him. Despite his initial reservations, Hundertwasser created many outstanding graphic works. Both experimental and effective, his graphics were sensationally successful.